Upper Structures, Synonyms & Slash Voicings - WIRE BOUND VERSION
Explore your jazz guitar potential with the ultimate technical guide - Upper Voicing, Synonyms & Slash Voicing: WIRE BOUND VERSION.
For the jazz guitar enthusiasts, we bring you Upper Voicing, Synonyms & Slash Voicing - WIRE BOUND VERSION. A highly technical guide that offers a deep dive into upper voicing and how to use them to add more complexity and depth to your playing style.
With in-depth explanations of synonyms and slash voicing, this publication will take your musical journey to new heights. The wire-bound version ensures ease of use while practicing or listening to the narration, musical examples or backing tracks. Whether you're a seasoned musician looking for fresh inspiration or an amateur willing to delve deeper into the world of jazz guitar, Upper Voicing has got you covered with its comprehensive content and insightful strategies. Get ready for an unparalleled experiential learning experience!
- Jazz guitarists can expand their harmonic/melodic vocabulary with the technical guide of Upper Voicing, Synonyms & Slash Voicings
- The wire binding allows for easy page turning and durability during practice sessions or performances
- With a comprehensive breakdown of upper voicing, synonyms, and slash voicing, this guide is an essential tool for any serious jazz musician
"UPPER VOICINGS, SYNONYMS & SLASH VOICINGS FOR JAZZ GUITAR" BY GED BROCKIE.
The Wire Bound Flat Lie Print Version Of This Jazz Guitar Publication
A JAZZ GUITAR BOOK FOR GUITARISTS LOOKING TO TAKE THEIR PLAYING TO THE NEXT LEVEL
At over three hundred and sixty pages, Upper Structures, Synonyms & Slash Voicings For Jazz Guitar takes a wide ranging and in-depth look at the subject of upper voicings and their application with respect to the guitar.
Slash voicings and synonyms are also cover in great detail with numerous examples showing how these musical concepts connect and work together.
From individual examples both played and explained in text and narration, to lick ideas and then full blown solos, this book covers a huge amount of material that will help you understand how upper structures work.
WHAT LEVEL OF GUITAR PLAYER SHOULD CONSIDER THIS BOOK?
This book is aimed at experienced guitar players and will act as a reference and technical guide for players, teachers, educationalists and music conservatoires.
With hundreds of musical examples, chord progressions, diagrams, lick ideas and solo examples and in depth theoretical explanation this book is a must for every aspiring guitarist.
SECTION ONE - FOUR CHAPTERS INCLUDE THE FOLLOWING TOPICS:
Stacking Chords, Chord formulae, Chord extension & alteration, Triads as upper structures, Pseudo scales, Inferring altered dominants, Generating chords across the neck, Chord & line superimposition, Voice leading, Vagrant harmony, Inferring altered dominants, Single line solo ideas, Tri-tones & flat five concepts, Chromatic movement, Deconstructing altered dominants, Synonyms, Movable solo lines, Cascading chords, Motif development, Sidestep line movement.
SECTION TWO:
A three chapter lick library of 70 original lick ideas that demonstrate each upper structure voicing category. All licks are offered in mp3 format as well as including narration from the author on the points of interest and technical challenges of the line.
SECTION THREE:
Three chapters offering original jazz guitar solo examples over three well known jazz standard progressions.
Full analysis from a comparative, melodic and harmonic viewpoint is included. Solos are fully notated in music and TAB with chords provided in large easy to view format.
A HUGE SUPPORTING DOWNLOAD:
Over one and a half hours of mp3 files included. Section 1 music examples, Section 2 demonstration licks with author's technical narration and Section 3 complete solos as well as wide range of backing tracks for you to practice over.
PLEASE NOTE: THIS IS A MULTI FILE DOWNLOAD AND THE DIGITAL FILES (PDF, MP3 AUDIO) HAVE BEEN PACKED USING THE COMPRESSION PROGRAM WINRAR TO KEEP FILE SIZE TO A MINIMUM.
IN THE UNLIKELY EVENT OF RECEIVING AN ERROR MESSAGE ON OPENING, DOWNLOAD THE FREE WINRAR UTILITY HERE TO EXTRACT.
MAC USERS: READ THIS LINK IF YOU HAVE TROUBLE OPENING THIS COMPRESSED FILE
PLEASE NOTE: PRINTING PROCESS TAKES 4 - 6 DAYS PLUS 4 - 6 DAYS FOR DELIVERY.
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I have only recently started studying this book and already it has improved my performance. The information about stacked triads greatly simplifies 'complex' chord structures and provides you with many options regarding chord voicings, passing chord possibilities and arpeggios to play over common jazz progressions.As I've only worked through the first chapter, which I will be drawing upon for years to come, I can't give an overall review of the book but I'm confident that the info provided will greatly expand the musical horizons of any intrepid guitarist.
A new guitar approach. New author to me. Not bad.
Muito bom trabalho sobre o assunto. Tive dificuldades com o material de apoio e prontamente a equipe me ajudou! Valeu a pena demais
Great for self taught
I've only started working through this book, but I've already learned a valuable thing, namely, how easy it is to more or less instantly generate complex chords, all over the guitar, using stacked triads. The polychordal and upper structure approach is something I've needed to add to my tool bag for a while, and this appears to be the book for me. Many YouTube sites on uppers structures haven't given me the organized, detailed approach that I want, but this book has very clear explanations and diagrams.There is an extensive collection of free downloadable MP3s that support all the exercises/examples. You may need to download and RAR-capable app to open them. I used BreeZip and it worked flawlessly.Upper structures allow one to easily access 'jazzier' notes for arpeggios, licks, and chords. But the key (for me) was finding a way to consolidate this information, and this book appears to offer the solution. My thanks to the author for the obviously large amount of work he put into this book!