Scottish Classical Guitar Collection - PERFECT BOUND VERSION
SCOTTISH CLASSICAL GUITAR COLLECTION
A selection of 19th century guitar music inspired by Scotland
Scottish Romantic Guitar is a collection of intermediate and advanced pieces for classical guitar by leading composers of the 19th century, inspired by Scotland. While these pieces have previously been available from different sources, they are compiled here for the first time, in corrected editions, in one convenient volume.
Highlights include, Mauro Giuliani’s beautiful settings of six favourite Scottish songs; Fernando Sor’s masterful ‘Variations on Ye Banks and Braes’ and Johan Kaspar Mertz’s dramatic evocation of the landscape of the Outer Hebrides, ‘Fingal’s Cave.’
This collection offers the guitarist a unique source of unfamiliar yet accessible repertoire that is both challenging and rewarding to play and which will appeal to any audience.
40 pages, music notation only, no TAB.
TABLE OF CONTENTS
A word from the author.……….……………….………………….……………….……..3
Introduction…………………………………………………………..…………………...........4
Variations on a Favourite Scottish Air: F. Sor…………………………………....5
Sei Arie Nazionali Scozzesi: M. Giuliani
The Soldiers’s Return .….…………………….….…….……….……….…….………....…9
This is no my ain Lassie…………………….…………….….…….….……………….....11
Coming Through the Rye .………….…….…….….………….…….….…..…….…….14
Jenny’s Bawbee, a Reel.….…………………….…………….….….….…….…………...16
The Bluebells of Scotland.…….…………………………….…………………………...19
The Old Country Bumpkin.….…………………………………………….……………..21
Fingal’s Cave: J.K. Mertz….………………………………………………………............24
Introduction et Variations sur un Théme Écossais: A.de Lhoyer………28
Robin Adair: F. Molino……………………………………………………………….........32
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This is a lovely book of tunes. They appear to be sell written and laid out. They are much too difficult for me at my level but hopefully will develop my technique so I might play them. It will remain in my collection till such time. Peter in Nova Scotia
I am very disappointed in this book because the pages of music are not in order if you follow the measure numbering you will be jumping around in the score. Also the cover was put on backwards and upside down. Not only do I need to learn the music, but I will need to learn how the score was put together by the publisher.